Tributes to Pierre du Prey Architecture and the Classical Tradition, from Pliny to Posterity
Tributes to Pierre du Prey Architecture and the Classical Tradition, from Pliny to Posterity | Libri antichi e moderni | M. M. Reeve (Ed.)
Tributes to Pierre du Prey Architecture and the Classical Tradition, from Pliny to Posterity
Tributes to Pierre du Prey Architecture and the Classical Tradition, from Pliny to Posterity | Libri antichi e moderni | M. M. Reeve (Ed.)
Metodi di Pagamento
- PayPal
- Carta di Credito
- Bonifico Bancario
- Pubblica amministrazione
- Carta del Docente
Dettagli
- Anno di pubblicazione
- 2014
- ISBN
- 9781909400122
- Luogo di stampa
- London
- Autore
- M. M. Reeve (Ed.)
- Pagine
- 288
- Volumi
- 1
- Editori
- Harvey Miller Publishrs
- Formato
- 210 x 275 Mm.
- Edizione
- Edition originale
- Descrizione
- Neuf
- Descrizione
- Couverture rigide
- Stato di conservazione
- Nuovo
- Lingue
- Inglese
- Prima edizione
- True
Descrizione
Harvey Miller Tributes (HMTRIB 6) Tributes to Pierre du Prey Architecture and the Classical Tradition, from Pliny to Posterity M. M. Reeve (ed.) VII+288 p., 129 b/w ill., 210 x 275 mm, 2014 ISBN: 978-1-909400-12-2 Languages: English Hardback The publication is available. Retail price: EUR 160,00 print Share/Save/Bookmark This volume is warmly dedicated to Pierre de la Ruffinière du Prey. It comprises sixteen essays by friends, colleagues, and students and a postlude by our dedicatee. Matthew M. Reeve is Queen's National Scholar and Associate Professor of Art History at Queen's University and a Fellow of the Society of Antiquaries. Table of Contents Matthew M. Reeve, David McTavish, and Peter Coffman , Pierre du Prey: An Appreciation, Mark Wilson Jones, The Origins of the Orders: Unity in Multiplicity, Guy P. R. Métraux, Some Other Literary Villas of Roman Antiquity Besides Pliny?s, Judson J. Emerick, The Tempietto del Clitunno and San Salvatore near Spoleto: Ancient Roman Imperial Columnar Display in Medieval Contexts, Eric Fernie, Romanesque Historiography and the Classical Tradition, John Beldon Scott, Uses of the Past: Charles V?s Roman Triumph and Its Legacy, Gauvin Alexander Bailey, Classicism in a Rococo World: Steadfastness and Compromise in Late Colonial South America, Sally Hickson, Girolamo Porro: Engraver and Publisher in Venice, Una Roman D?Elia, Acanthus Leaves and Ostrich Feathers: Claude Perrault, Tradition, and Innovation in Architectural Language, David McTavish, Classical Themes and Creative Variations from the Sixteenth Century: Two Unpublished Drawings of Palace Façades Related to Giulio Romano, Janina Knight, Two Drawings by Giovanni Battista Montano in the Canadian Centre for Architecture, John Pinto, Ruins and Restitution: Eighteenth-Century Architects and Antiquity in the Bay of Naples, Matthew M. Reeve, ?A Gothic Vatican of Greece and Rome?: Horace Walpole, Strawberry Hill, and the Narratives of Gothic, Peter Coffman, The Gibbsian Tradition in Nova Scotia, Luc Noppen, Thomas Baillairgé and Victor Bourgeau: Architects, Architectural Practice, and the Nineteenth-Century French-Canadian Church in Quebec, Sebastian Schütze, The Stadio dei Marmi in Rome: Inventing a Classical Stage for the Colossal Heroes of Fascist Italy, Phyllis Lambert, Mies Klassizismus: Some Notes, Pierre du Prey, Postlude: In Praise of Mentors Interest Classification: