Descrizione

Catalog Number: 50095 Title: La Peinture Ancienne et ses Procédés: Copie,Répliques,Pastices Price: Euro 125.00 Description: ed. Helene Verougstraete, Jacqueline Couvert. Leuven: Peeters, 2006. 26cm., pbk., 326pp. illus., several color plates. Partial contents: R. BILLINGE, Technical Examination of a Virgin and Child by Luis de Morales in the National Gallery; H. HUDSON, The Materials and Technique of two Panel Paintings attributed to Paolo Ucello: the Oxford Annunciation and the Melbourne Saint George; T.-H. BORCHERT, The Bruges Master of the Legend of Saint Ursula. Investigating Workshop Practices of Anonymous Bruges Painters by Looking into Underdrawing ; C. PÉRIER D¿IETEREN, La copie des ¿uvres de Thierry Bouts; R. BELLUCCI and C. FROSININI, The Replicas after the Venus and Cupid Cartoon by Michelangelo; M.C. GALASSI, On the Legacy of Lorenzo di Credi (1458/59-1537). Replicas and Copies (and one Pastiche); E. BUZZEGOLI and D. KUNZELMAN, Re-use of Cartoons in Paintings by Andrea del Sarto and Pontormo: a Study with High Resolution Digital Scanned IRR; D. WOLFTHAL, Renaissance Fingerpainting; M. P. J. MARTENS and N. PEETERS, Masters and Servants. Workshop Assistants in Antwerp Artists¿ Workshops (1453-1579): a Statistical Approach to Workshop Size and Labour Division; M. LEEFLANG, The Adoration of the Magi in Naples and Detroit: Original and Copy?; M. FARIES, Jan Van Scorel¿s Mary Magdalene: Original and Copy; M. WOLTERS, Two Vegetable Sellers by Joachim Beuckelaer: a Symbiotic Relationship; L. JANSEN, Serial Products in the Workshop of Pieter Coecke Van Aelst: a Working Hypothesis; C. CURRIE and B. GHYS, Design Transfer in Pieter Brueghel the Younger¿s Workshop: a Step by Step Reconstruction based on Technical Examination of his Paintings; A. VILA, N. FERRER and J.F. GARCIA, Chemical Fingerprints. An Appproach to Colour Prints Characterisation and Discrimination; etc. (Le Dessin sous-jacent et la technologie dans la peinture, Colloque XV, Bruges 11-13 septembre 2003) Size: Quarto